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《伤逝》是鲁迅先生唯一一篇青年男女婚恋题材的小说,历来备受读者关注。其关注点往往在于对此悲剧性质的定位以及悲剧原因的考察,阅读的重心也大多落在女主人公子君身上。然而笔者为,就《伤逝》来说,涓生应该是真正的主人公。在论及涓生时,多数研究者从现代启蒙知识分子的角度,解读涓生形象的象征性意蕴。但从1990年代以来,
“Mourning for the Dead” is the only novel about the marriage theme of young men and women by Mr. Lu Xun, which has always attracted the readers’ attention. Its focus is often on the tragic nature of the positioning and the reasons for the tragedy, the focus of reading mostly falls on the heroine son. However, the author is, on the “passing away”, Juansheng should be the real protagonist. When discussing Juansheng, most researchers interpret the symbolic meaning of Juansheng’s image from the perspective of modern enlightenment intellectuals. However, since the 1990s,