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21世纪,中国喜剧电影承接20世纪末的喜剧模式和喜剧思维阔步而来,因叙事模式和结构框架的千篇一律和一味地谄媚大众,而缺乏自身的模式创新、思维变革和精神内核,淹没在类型更为多元、主题更为丰蕴、意味更为深远的影像序列中,纯粹表面化的搞笑层次已无法满足受众的审美期待。本文以批判精神对这一范畴内的喜剧电影进行考察,采用文本分析和理论解读的研究方法,从屌丝身份的游戏化狂欢、超现实叙事以及娱乐至死三方面,看当下中国喜剧电影的精神症结。
In the 21st century, China’s comedy movies took the comedy and comedy thinking of the late 20th century. Because of the stereotyped narrative mode and structural framework, they blindly flatter the masses, lacking their own model innovation, thinking revolution and spiritual core, As diverse as the theme is more abundant, meaning more far-reaching sequence of images, the purely superficial level of the funny can not meet the audience’s aesthetic expectations. This article examines the comedy films in this category with a critical spirit. By using the methods of text analysis and theoretical interpretation, this essay analyzes the current Chinese comedy films from the perspectives of reveling in carnivalism, surreal narrative and entertainment to death crux.