【摘 要】
：
1955年,在电影《金壁人》的片头里,纽约平面设计派的重要人物之一索尔巴斯(Saul Bass,1921-)使用抽象的线条伴随着爵士乐的节奏,开始从横交错,有节奏的跳跃,最后逐步综合成为
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1955年,在电影《金壁人》的片头里,纽约平面设计派的重要人物之一索尔巴斯(Saul Bass,1921-)使用抽象的线条伴随着爵士乐的节奏,开始从横交错,有节奏的跳跃,最后逐步综合成为那只扭曲的下垂的手臂(图1)。片头中,索尔巴斯第一次尝试将平面设计用于电影、音乐合成的新多元媒体中,这种高度抽象的平面方式
In 1955, Saul Bass (1921-), one of the leading figures in graphic design in New York, used the abstract lines along with the rhythm of jazz in the opening movie “The Wall Man” Rhythm jumps, and finally gradually integrated into that twisted drooping arm (Figure 1). In the beginning, Solbass’s first attempt to use graphic design in the new multi-media of motion picture and music composition, a highly abstract,
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