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本文是在笔者博士论文摘要的基础上修订而成,全文通过构建象征理论与方法模式并把它引入耶稣图像的研究中。主要从艺术作品的角度,详细梳理意大利12-15世纪被钉十字架耶稣图像的历史演进,归纳它们的象征艺术风格类型,并阐明具体作品风格来源和象征蕴涵以及它们与象征艺术风格之间的多样性和统一性关系。然后,从意大利12-15世纪被钉十字架耶稣图像的神学象征出发,以爱的神学象征为出发点和中心,延展讨论罪恶与救赎的神学象征和三位一体的神学象征。
This article is revised on the basis of the author’s abstract of doctoral dissertation. Through the construction of the symbolic theory and method model and the introduction of it into the study of Jesus’ images, From the perspective of the works of art, the paper systematically explores the historical evolution of the crucifixed images of Jesus from the 12th to the 15th centuries in Italy, summarizes the types of symbolic art styles and expounds the origin and symbolic implication of specific works and the diversity between them and the symbolic artistic style Sexual and unity relations. Then, starting from the theological symbolism of the crucifixion of Jesus in the 12th-15th century in Italy, starting from the theological symbol of love as the starting point and center, extend the theological symbol of sin and salvation and the symbol of the Trinity.