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英国美术史家哈斯克尔在《历史及其图像》一书中指出,“图像——无论是绘画还是纪念性的雕塑——是过去时代中人的内心精神的发展的一种见证,由此可以通向对特定时代的思想及其表征结构的读解。”1的确,我们对古典小说的研究显然也不能仅停留于传统的白纸黑字书写的语言文献,还应注重发掘、研究与之相关的图像文献,其中最重要的,就是明清刊本小说中的插图。由于《水浒传》“典型地体现了中国古代长篇白话小说的发展道路”
In his book History and Its Images, British art historian Haskell pointed out that “images - whether paintings or monumental sculptures - are testimony to the development of the human spirit in the past, from which Can lead to an understanding of the ideas of a particular era and its representational structure. ”1 Indeed, our study of classical novels is obviously not limited to the traditional literary writings written in white and black, but should also be explored and studied in relation to it The most important of which is the illustrations in novels of Ming and Qing periodicals. Because “Water Margin” “typically embodies the development path of ancient Chinese vernacular novel ”