近日读西方学者普林斯顿大学中国美术史研究博士姜斐德教授发表于《朵云》第五十三集的文章《宋迪<潇湘八景>画题含意试析》,引发了我对中国古代诗画关系的思考。《左传》提出『天有六气,降生五味,发为五色,徵为五声』。在此用『气』解释了五味、五色、五声的产生。从而说明了诗画的同源,及二者何以都须用『品』。南朝梁钟嵘也认为诗歌发生的根源首先是『气』的作用:『气之动物,物之感人;故摇荡性情,形诸舞咏。』人的性情受气的感荡、物的触动,就形成独特 Recently read the Western scholar Princeton University Chinese Art History Professor PhD Professor Jiang Fide published in the fifty-third episode of the “cloud” Song Di content analysis of the painting, “triggered my relationship between ancient Chinese poetry and painting Thinking. ”Zuo Zhuan“ put forward ”six days of natural gas, born five flavors, made for five colors, sign for five sound.“ Here, ”qi“ is used to explain the generation of five flavors, five colors and five sounds. This shows that the same origin of poetry and painting, and why both must use ”goods.“ Liang Zhongrong of the Southern Dynasties also believed that the root causes of poetry occurred first of all as the role of ”qi“: ”animals that are angry are touching things; Man’s temperament is infuriating, touching things, it is unique