20世纪初的美国左翼诗歌,反抗资本主义的剥削与压迫,抒发无产阶级情感,其鲜明的政治倾向性与正在发展中的现代主义诗歌大异其趣。到了30年代,美国左翼诗歌却主动吸纳现代主义诗歌手法,形成“红色现代主义”方兴未艾的局面。这种从排斥到吸纳的姿态转换,促进了美国诗歌跨越意识形态的艺术交流,也促进了20世纪后半叶美国诗歌的发展。 The early 20th century American left-wing poetry revolted against the exploitation and oppression of capitalism and expressed proletarian sentiments. Its distinctive political orientation was quite different from the developing modernist poetry. By the 1930s, the left-wing poetry of the United States took the initiative to absorb the techniques of modernist poetry and formed an ascent to “red modernism.” This shift of gesture from rejection to attraction promoted the artistic exchange of ideology across American poetry and promoted the development of American poetry in the second half of the 20th century.