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近些年,随着中国经济社会的迅速发展,使得后现代现象已经逐步成为文化领域不可避免的事实。与此同时,越来越多的后现代理论被学者们介绍到国内。本文将对加拿大籍著名的后现代文艺理论家琳达·哈琴的《戏仿理论》进行文本初探。哈琴作为在西方后现代主义研究领域的女性理论家之一,通过对理论与审美实践的独到解剖和透视,在一定程度上得到了学术界的关注和肯定,也让人们对后现代主义有了更新更清晰的认识。
In recent years, with the rapid economic and social development in China, the phenomenon of post-modernism has gradually become an inevitable fact in the field of culture. At the same time, more and more postmodern theories have been introduced to China by scholars. This article will first explore the “parody theory” of Linda Harqin, a famous Canadian postmodern literary theorist. As one of female theorists in the field of western postmodernism, harqin gained a certain degree of attention and affirmation from the academic circles through his unique anatomy and perspective on the theory and aesthetic practice, Updated and clearer understanding