假如人们对改革题材的作品和电影不是太陌生的话,大概会注意到九十年代与八十年代初改革题材作品的分野。在八十年代的改革作品中,改革的模式大都是二种,一种是蒋子龙《乔厂长上任记》中所展示的铁腕人物大刀阔斧式的改革方式,另一种是张洁在《沉重的翅膀》中所展示的面临各种权力和现行机制牵扯的艰难改革方式。到了九十年代,特别是到了1999年,这种改革题材的作品大都是以一种“官场小说”的样式出现。原先那些作为改革力量进入权力机构的新锐力量,不少适应了官场的所谓利益原则,在他们的理解中,改革不是作为 If people are not too unfamiliar with the works and movies of the reform theme, they probably will notice the division of the subject matter of reform in the 1990s and the early 1980s. Among the reform works of the 1980s, there are mostly two modes of reform: one is the drastic reform of the iron-man style shown in the account of Jiang Zilong’s appointment of director Qiao, and the other is Zhang Jie’s “heavy Wings, ”facing the kinds of power and the current mechanisms involved in the difficult way of reform. By the 1990s, especially in 1999, most of the works of this reform theme came in the form of “official fiction.” The original cutting-edge forces that entered the power as reform forces, many adapted to the so-called principle of interests of the officialdom, in their understanding, the reform is not as a