在钢琴弹奏过程中,听觉、触觉、视觉三个系统之间及其各个子子系统之间都存在着普遍的联系。文章采用文献资料法、归纳演绎法总结出钢琴演奏中的感觉要素,并利用协调理论进行分析,总结出各系统之间协调的训练方法。 During the process of piano playing, there is a universal connection between the three systems of auditory, tactile and visual, as well as their various sub-systems. The article uses the literature method to summarize the sensory elements in piano performance by inductive deductive method, and uses the coordination theory to analyze and summarizes the coordinated training methods among various systems.