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针对20世纪80年代以来叙事性写作对诗歌语言与文体的损耗与复制事实,当代诗歌写作必然要重返语言本体与诗学传统。超验诗写既传承了西方象征主义诗歌写作的诗性言说与哲学思维,又续接了中国新诗象征主义写作这一话语传统,其文化理念和书写实践又与西方19世纪以来的现代文学精神不谋而合,它们从否定性的情感认知与思想资源的勘探开始,探讨了不同于理性思维的超验话语对心灵世界的探寻与可能。同时,作为一种审美态度与哲理观照,超验诗写展示了人类心灵的文化价值与象征意蕴。
In the light of the fact that the narrative writing has been depleting and copying the language and style of poetry since the 1980s, the writing of contemporary poetry must return to the linguistic noumenon and poetic tradition. Transcendental poetry not only inherits the poetic and philosophical thinking of western symbolism poetry but also inherits the discourse tradition of Chinese new poetry symbolic writing. Its cultural ideas and writing practices are in line with the western modern literary spirit since the 19th century By coincidence, they begin with the exploration of negative emotional cognition and thought resources, and explore the exploration and possible exploration of the spiritual world by transcendental discourses different from rational thinking. At the same time, as a kind of aesthetic attitude and philosophical reflection, Transcendental Poetry demonstrates the cultural value and symbolic connotation of the human mind.