康德美学思想,如果一言一蔽之,那么可以表述为“瞩望道德之美”。美不是外在的实体,而只是一个人内心里的观念;此观念不落于知解的概念,而只能以一个符合观念的个体的表象表征出来;在此观念作为衡鉴一切鉴赏对象、鉴赏判断范例、以及每个人的鉴赏的判断标准的意义上,同时在此观念最大限量地体现到一个范本、一个原型中以提示人们不断趋之而行的意义上,美的观念即是一个理想。这个理想因着人之德性境界的无止境,必然表现为一个虚灵的而不迟滞的、真切的而不空洞的一种追求。 If Kant’s aesthetics is swept aside, then it can be described as “Looking upon the Beauty of Morality ”. Beauty is not an external entity, but an idea in one’s heart. This idea does not fall into the concept of knowledge, but can only be expressed in terms of the appearance of an individual in conformity with the concept. As a measure of appreciation for all appreciation objects, Appreciation of the judgment paradigm, as well as the judging criteria of each person’s sense of appreciation, at the same time, this concept is embodied in a model to a maximum extent, in a prototype to prompt people to keep moving in the future, the concept of beauty is an ideal. This ideal is bound to manifest itself in the pursuit of an imaginary rather than a hysteresis that is real and not empty due to the endless moral realm of human beings.