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文学文献中,“本色”一词的使用主要出现在诗话、词话、曲论、文论各类的评论以及专门的文学论著中,涉及题材范式、创作、风格归类的诸多方面,其意义应避免一以概之。“本色”一词在中国古代文论的使用中,有着复杂的语义背景和丰富的理论语境,值得还原到一脉相承话语传统中来重新审视。在对传统体式和语言风格的自觉中蕴含着文学创作的实际对“本色”突围的新变的生命力。
Literary literature, the use of the word “color” mainly in the poetry, words, music theory, literary theory of various types of comments and specialized literary works, involving the theme paradigm, creation, the classification of the many aspects of its Meaning should be avoided. In the use of ancient Chinese literary theory, the word “character” has a complex semantic background and a rich theoretical context, which deserves to be restored to the tradition of the same discourse to reexamine it. In the traditional style and language style of consciousness contains the literary creation of the actual “color ” breakthrough new vitality.