“六法精论,万古不移。然骨法用笔以下五法可学,如其气韵,必在生知,固不可以巧密得,复不可以岁月致,默契神会,不知其然而然也。”1谢赫在其《古画品录》中提出的“六法论”首次作为完整的绘画理论系统影响了我国历代的绘画创作,其间的“气韵生动”更是以一种先验的道体形式承载了中国绘画的核心旨趣。气韵之理即以“气质”为先,以先验之道体贯之则神韵自得,因其有神韵则形象必生动,其形象生动必体现于笔墨之精巧,笔墨化 “Six fine theory, unmistakable.But the bone method with the pen following five methods to learn, such as its charm, must be in the knowledge of knowledge, solid can not be clever, complex can not be years, tacit understanding, I do not know however . ”1 The“ Six Principles of Law ”put forward by Sheikh in his“ Old Paintings ”has for the first time influenced the painting creation of all ages in our country as a complete theoretical system of painting. In the meantime, the“ vivid ” The transcendental Taoist form carries the core interest of Chinese painting. The reason of qi and yang means “temperament ” as the first, and the transcendental principle of the whole body is sublime. Because of its charm, the image will be vivid. Its vivid image will be reflected in the exquisiteness of ink and brush,