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英国戏剧家彼得·谢弗的《马》剧创作于1973年,正值西欧反理性主义语境的上升期,各种先锋意识形态渗透于公众的精神领域,于是未来主义、表现主义、超现实主义、存在主义、荒诞派等新剧派递次而出,打破了长期以来西欧戏剧发展史上的一个新流派取代旧流派的“更迭式”的发展,形成了西欧戏剧多元化的发展前景。《马》剧中满含着彼得·谢弗的创作激情,以及对于戏剧文本的探求。在西方世界各种哲学理念争奇斗艳的当下,彼得·谢弗的《马》剧在一定程度上促进了人类哲学思想的普及。
British drama writer Peter Schaeffer’s “Horse” drama was created in 1973, coinciding with the rise of anti-rationalist context in Western Europe. Various avant-garde ideologies permeated the public sphere of spirit. Futurism, Expressionism, Surrealism The emergence of a new genre such as existentialism, absurdism and absurdism broke the “more iterative” development of a new genre in theater development in western Europe that replaced the old genre for a long time, and formed the prospect for the diversification of western drama. . The “Horse” drama is full of Peter Seaver’s creative passion, as well as the search for dramatic texts. At the moment when all kinds of philosophical ideas in the western world contend, the “horse” plays by Peter Schaeffer promote the popularization of human philosophy to a certain extent.