有一些“大碼头”的戏曲演員,不愿意到“小碼头”去演戏,更不願意下厂矿,到农村。仿佛“大碼头”的演員有一种高貴的身分,上“小地方”去演出,有点降低身分了。照他自己的說法,就叫“杯盘不相称”。演員演戏,他的对象当然是观众,不是“碼头”。“碼头”有大小之別,而观众却是一样的,城乡观众都应该是演員服务的对象。身为“大碼头”演員而看不起“小碼头”的观众,身为城市的演員而看不起工厂、农村的观众,不愿意为他們服务,是沒有什么道理的。我記得从前某笔記記載,清朝有一个北京的“名伶”,有一次到山东登 There are some “big marina” opera actors who are reluctant to go to the “Little Wharf” and are even less willing to plant and mine in rural areas. As if the actors in the “Big Wharf” had a noble identity, they performed on “small places” and lowered their status a bit. According to his own account, it is called “incompatible cup-and-tray.” Actor acting, of course, his audience is the audience, not the “pier.” The size of the dock is different, but the audience is the same, urban and rural viewers should be the object of the actor service. As a “big wharf” actor and disdain for the audience “Pier”, as the city’s actor and look down on factories, rural audiences, do not want to serve them, there is no reason. I remember a note from the past records, the Qing Dynasty has a Beijing “famous actor”, once to Shandong