国画大师黄永玉到北京的那年,住在一个不但陈旧,蛛丝网结,而且四壁连一扇窗户也没有的小屋中。沉闷与压抑,并没有让黄永玉厌恶舍弃这间小屋,他拿出了一张洁白的画纸贴在墙上,信手画了一扇小窗,栩栩如生,小屋顿时显得生机勃勃起来。上帝就是这样,许多时候都在 That year, Huang Yong-yu, a painter of traditional Chinese painting, came to Beijing and lived in a hut that was not only obsolete and spider silk knotted, but also had no four walls and no windows. Dull and repressed, and did not let Huang Yongyu disgusted abandoned the cottage, he took out a piece of white paper attached to the wall, letter hand-painted a small window, lifelike, hut suddenly appear vibrant. This is God, many times