中国经历了一个多价值观导向的时代,作为一个独特的经济体,在一种共性与个性共生的极度扭曲的价值观内,自我的意识被极大地分解在社会不确定的价值系统。在这样的过程中,我们会发现艺术创作的独立性成为一种在创作上的方法论需要再次被提及。野生意识代表着一种自然的生长力,在大的社会循环系统中的自我独立意识。在社群的概念中,自我与他者逐渐转化为“我群”与“他群”的社群关系。如果说“社会世界包含四个向度, As a unique economy, China has undergone a multi-value-oriented era. In a highly distorted value of commonality and individuality, self-consciousness is greatly decomposed in the socially indefinable value system. In this process, we will find that the independence of artistic creation becomes a kind of creative methodological need to be mentioned again. Wild consciousness represents a natural growth force, a sense of self-independence in a large system of social cycles. In the concept of community, the ego and the other person gradually transform into the social relations of ”I group“ and ”He group“. If we say that ”the social world contains four dimensions,