民族民间舞蹈的文化价值判断问题一直为舞蹈创作界和理论界所关注。在文化全球化浪潮中,舞蹈、民族民间文化价值和大众情感三者的依存关系怎样能获得充分的表述,成为民族民间舞蹈创作上值得探讨的新课题。尤其是在市场、赛场、异质舞蹈文化入侵等动荡的语境中,部分民族民间舞蹈创作个案表达出由于核心文化价值消失所带来的精神漂泊感,致使越来越多的作品表达方式与观众产生疏离。一方面,文化“全球化”的浪潮正通过各种媒介形式席卷中国各阶层人群;另一方面,都市和乡村现代化步伐的加快,能够引发传统记忆的文化符号,包括有形的古旧建筑、服饰与无形的文明等日渐凋敝、消亡,由此带来了文化心理漂移、根基虚浮,以及更为深层的问题, The issue of cultural value judgments of folk dance has always been of concern to the creative and theoretical circles of dance. In the tide of cultural globalization, how can the interdependence between the dance, the folk culture value and the popular feeling get fully expressed and become a new topic worth exploring in the folk dance? Especially in the context of turmoil such as markets, stadiums and heterogeneous cultural invaders, some ethnic folk dance creations express the sense of spiritual drift brought about by the disappearance of the core cultural values, resulting in more and more expressions of works The audience alienated. On the one hand, the tide of culture “globalization ” is sweeping across all walks of life in China through various forms of media; on the other hand, the accelerating pace of urban and rural modernization can evoke the cultural symbols of traditional memory including tangible old buildings, Costumes and invisible civilizations have become increasingly weakened and disappeared, which has brought cultural psychological drift, foundership, and more profound problems.