今年四月在北京的个人音乐会对郭文景来说是重要的。如果没有这场音乐会,《第一小提琴协奏曲》、《川崖悬葬》、《经幡》、《蜀道难》这些作品虽然也存在着,了解的人也掂得出它们在中国乐坛上的份量,但音乐会毕竟是一种标志,尤其是在音乐家心目中的圣殿——北京富丽堂皇的音乐厅。登上它需要成熟的勇气、自信和实力。更重要的是这场音乐会给了郭文景一个机会。他渴望将自己内心的音乐呈现给真正的音乐行家和知音,并且听到理解的回声。音乐会气氛相当炽热,高潮是合唱交响乐《蜀道难》。起初,中央乐团合唱队的演员站满舞台时,观众 The personal concert in Beijing in April this year is important to Guo Wenjing. Without this concert, the works such as “The First Violin Concerto”, “Chuan Ya Cliff”, “Prayer flags” and “Shu Dao Nan” also exist. People who know it also come out in the Chinese music scene However, concerts are, after all, a sign of this, especially in the minds of musicians - the magnificent concert hall in Beijing. It takes mature courage, confidence and strength to mount it. More importantly, this concert gave Guo Wenjing a chance. He longs to present his own inner music to real musicians, companions, and echoes of understanding. Concert atmosphere is quite hot, the climax is chorus Symphony “Shu Road difficult.” At first, the audience of the Central Orchestra choir’s actors stood on stage