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自本世纪初格式塔心理学诞生以来,现代造型艺术在实践上和理论上都受其影响。格式塔理论创始人之一卡夫卡于1940年著《艺术心理学问题》一书,解释审美知觉心理。1944年美籍匈牙利美术理论家凯伯斯著《视觉语言》一书,从格式塔理论出发,用现代科学概念分析审美视觉,从运动和力的效果上发现视觉形态组合的空间规律和心理反应。1954年,美籍德国美学家安海姆(曾两次当选为美国美学会主席)发表《艺术与视知觉》一书,全面阐述了格式塔的视觉审美心理学说。1971年又发表《视觉思维》一书。他们的理论对立体派、抽象派、构成派艺术
Since the birth of Gestalt Psychology at the beginning of this century, modern plastic art has been influenced in practice and in theory. One of the founders of the Gestalt Theory, Kafka, wrote a book in 1940, “Art Psychology Problems,” explaining aesthetic perception. In 1944, the American Hungarian fine art theoretician Carlsberg wrote “Visual Language”. Starting from the Gestalt theory, he used modern scientific concepts to analyze the aesthetic vision, and discovered the spatial patterns and psychological reactions of visual pattern combinations from the effects of movement and force. . In 1954, the American German aesthetician Angem (who was twice elected as chairman of the American Aesthetic Society) published a book entitled “Art and Visual Perception,” which fully expounded Gestalt’s visual aesthetic psychology. In 1971, he published “Visual Thinking”. Their theory is about cubism, abstract art, and composition art.