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为了庆祝建国四十周年,中国书法家协会决定召开全国第三次书学会议,中心议题是对建国四十年来书法篆刻创作和理论发展的思考,于十一月廿七日至十二月二日在四川都江堰市二王庙宾馆召开。一书法是中华民族文化艺术的一部分,书法理论也是古典文艺理论的一个重要方面。但是,由于传统书法往往和实用结合,因此人们容易把写字混同书法,有时不把它当成一门独立的艺术。如有一本《艺术概论》,在论及书法时就认为它同盆景一样,扩大讨论才称它为艺术。对于传统的书法理论过去没有系统的加以整理,也没有系统的论述。过去书法理论研究往往偏重于考证、引述使人束缚在传统理论的框子中。虽然从宗白华先生起,特别是近年来,有些人试图从现代美
In order to celebrate the fortieth anniversary of the founding of the People’s Republic of China, the Chinese Calligraphers Association decided to convene the Third National Calligraphy Conference. The central topic is to think about the creation and theoretical development of calligraphy and seal cutting for the past 40 years since the founding of the People’s Republic of China. From November 27 to December 2 Day in Dujiangyan City, Sichuan Province, two Wang Temple Hotel was held. A calligraphy is part of the Chinese culture and arts, calligraphy theory is also an important aspect of classical theory of literature and art. However, since traditional calligraphy often combines with practicality, it is easy to mix writing with calligraphy and sometimes not treat it as an independent art. If there is an “introduction to art,” when it comes to calligraphy, it is considered the same as the bonsai, expanding its discussion to call it art. For the traditional calligraphy theory in the past did not systematically organize, there is no systematic discussion. In the past, the study of calligraphy theory tended to emphasize on textual research, quoting people bound in the framework of traditional theory. Although from Zong Baihua, especially in recent years, some people have tried from the modern beauty