在晚明众多的淫僧故事中,空间描写常常反映了晚明社会的人际关系及文人心态。文人所虚构的地窖、地道等寺院淫乐之所,是文人以色情方式对僧人进行的他者化描写。文人和僧人所居寺院西房和东房,影射了这两个社会群体的对立关系。官员窥视僧人的高楼,暗示了僧人在权力与空间中所处的边缘地位。文人被囚密室的想象,则往往是科举、权力、情欲、空间的链条关系发生作用的结果。晚明淫僧故事在很大程度上可被视作文人在科举压力下所产生的妄想。其在晚明的流行,与权力、地位的缺失给文人带来的焦虑密切相关。 In the numerous late Ming immoral monks, the space description often reflects the social relations and literati mentality in late Ming Dynasty. Literati imaginary cellar, tunnels and other places of sexual promiscuity is the literati to the demonization of the monks by way of depicting the other. The western and eastern houses of monasteries, monasteries and monasteries, reflect the antagonistic relationship between the two social groups. Peeking through the tall buildings of the monks, officials suggested that the monks were at a marginal position in power and space. The literati’s imagination of his prison cell is often the result of the function of the chain of imperial examination, power, passion and space. To a large extent, the monk’s story in the late Ming period can be regarded as a paranoid delusion caused by the literati under the imperial examination. Its prevalence in the late Ming Dynasty was closely related to anxiety caused by literati in the absence of power and status.