近来,杨小民的中国画——黄土高原系列作品,引起北京著名美术评论家的关注,其作品中的“的高原骨,秃杠线,黄土魂,年轮皴”等独特的造型符号被评论家认为是对中国山水画的创新和发展,他的这种粗放语言和板块图式有强烈的观念性和抽象性,铸成作品的“大美”。他绘画的阶段性很强, Recently, Yang Xiaomin’s Chinese painting, the series of works on the Loess Plateau, has drawn the attention of well-known Beijing art critics. His unique stylistic symbols such as “plateau, bald line, loess soul, and annual wheel” in his works are considered by critics Is the innovation and development of Chinese landscape painting. His extensive language and block schema have a strong conceptual and abstract conception, casting the “great beauty” of his works. His drawing stage is very strong,