此次青年展评委的共识是要遏制装饰过度现象,提倡大字大幅作品。为此必须忍痛割爱,砍掉一些虽然写的很好,但太“花哨”的作品,期望以此次青年展的评选表达一个鲜明的态度,那就是维护书法主体的纯洁性,恢复书法审美要素的纯粹性。这样做也许会矫枉过正,但势在必行。近一时期各类书法展览的入选和获奖作品,幅式越来越大,字却越写越小,“鸿篇钜制”印到作品集上根本看不清书写内容,成了名符其实的蝇头小字,甚至像 The consensus of the youth exhibition judges is to curb the excessive decoration and promote the large-scale and substantial works. Therefore, we must reluctantly cut off love and cut off some works that are well written but “fanciful” and hope to express a distinctive attitude in the selection of the Youth Exhibition. That is to maintain the purity of calligraphic subjects and restore calligraphy The pureness of aesthetic elements. This may be overkill, but it is imperative. In recent period, all kinds of calligraphic exhibitions have been selected and winnted works, with more and more creations, but the characters are written smaller and smaller. In fact, petite characters, even like