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85新潮之后,齐鲁绘画的创作势头明显高过20世纪初中期,一批有着极强创作实力且对传统笔墨有着深刻体会的画家随之脱颖而出,使齐鲁画风在当代画坛占据了一席之地。齐鲁画风无疑尚是一种潜在或正在酝酿发展着的地域性画风,齐鲁画风要从一般意义上的画风转向纵深的画派建构,就必须从传统文化的高度,弘扬发掘地域性文化传统和审美旨趣,强化绘画创作的文化自省意识和审美自觉,使其绘画创作成为独特的文化表达和原创性文本。
After the trendy of 85, the creation of Qilu painting has been significantly higher than the early twentieth century. A group of painters with strong creative power and profound understanding of traditional ink and brush come to the fore, bringing the Qilu style of painting a place in the contemporary art scene. Qilu’s style of painting is undoubtedly a regional style with potential or under development. When Qilu’s style of painting is to be changed from the general style of painting to the deep school of painting, it is imperative to carry forward the exploration of the regional characteristics from the perspective of traditional culture Cultural traditions and aesthetic purports, and strengthen the awareness of cultural introspection and aesthetic consciousness of painting creation, making the painting creation become a unique cultural expression and original text.