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从文学史到编撰史,从学术史到接受史,从广告史到编年史,当下的文学研究特别是现当代文学的研究已经进入到一个比较充分和成熟的阶段,呈现出完整化、系统化并逐步走向深化的发展态势。但学术研究越是成熟,也越是呈现出举步维艰的局面,而且研究的格局也越加复杂和交错。在这样的背景下,我和我的博士生们在近些年来的研究中,越来越关注到一种谱系学的研究视角和方法,试图以谱系学的理论眼光去看待各种文学和文化现象之间的复杂关系,先后主持了“京味文化的谱系研究”“20世纪左翼文学的谱系研究”等多项课题,陆续发表了《谱系学对研究京味文化的意义》《关于20世纪中国文学谱系研究的思考》等一系列文章。
From literary history to compiling history, from academic history to accepting history, from advertising history to chronicles, the research on contemporary literary studies, especially modern and contemporary literature, has entered a relatively full and mature stage, presenting a complete and systematic And gradually to deepen the development trend. However, the more mature academic research is, and the more it presents a difficult situation, and the pattern of research is also more complicated and staggered. In this context, both me and my PhD students have been paying more and more attention to a perspective and methodology of pedigree research in recent years, trying to treat all kinds of literature and culture from the perspective of pedigree theory The phenomenon of the complex relationship between, has presided over “Beijing cuisine culture pedigree ” “Twentieth Century left-wing literary pedigree ” and many other topics, one after another published “genealogy on the study of Beijing culture taste” on 20th Century Chinese Literature Pedigree Research "and a series of articles.