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李安电影一直以其独特的东西方两种文化观念及其冲突的展示吸引着广大观众 ,特别是影片中对于东方文化走向的探讨更是发人深省。本文以其早期作品“父亲三部曲”为例 ,解析了导演李安在影片中阐述的东西方文化观念 ,同时更深入阐述了导演李安自身的东西方文化观念。李安作为一个台湾导演 ,在自身文化认识上有其独到之处 ,这种认识也表现在他的电影中。“父亲三部曲”中的三部影片分别从不同角度逐级深入的表现和阐述了在当今世界中东西方两种不同文化观念的撞击 ,以及在这种撞击中东方文化的归属问题。本文立足于影片 ,在解析了影片中东西方文化观念的同时 ,还结合导演的生平经历进一步解析了其自身的东西方文化观念 ,以及其对于东方文化走向的态度。
Ang Lee Film has attracted a large audience with its unique cultural concept of the East and West and its conflict display. In particular, the film’s discussion of the oriental culture is even more thought-provoking. Taking his early works “Trilogy of the Father” as an example, this article analyzes the oriental and western cultural concepts elaborated by director Ang Lee in the film and at the same time expounds the director’s and her own oriental and western cultural concepts. Ang Lee, as a Taiwanese director, has its own uniqueness in his own cultural understanding, which is also reflected in his films. The three films in The Trilogy of the Father separately show and describe the impact of two different cultural concepts in East and West in today’s world and the attribution of the oriental culture in this collision. Based on the film, this article analyzes the eastern and western cultural concepts in the film and at the same time, analyzes the oriental and western cultural concepts of the film and its attitude towards oriental culture in combination with the director’s life experience.