本文试图叙述东北风格筝曲的现状与发展趋势。在对其形成轨迹加以陈述后,开始着重介绍《喜庆》《关东秧歌》《辽南情》三部作品的音乐风格及演奏特点;最后,总结出东北风格筝曲的主要发展趋势,即“以人为本,贴近生活”的理念和“求同存异,与时俱进”的原则。 This article attempts to describe the current situation and development trend of the koto songs in northeast style. After making a presentation of its formation trajectory, it begins to emphasize on the musical style and performance characteristics of the three compositions of “Celebrate”, “Kanto Yangko” and “Liao Nanqing”. Finally, the author summarizes the main trends of “ , Close to life ”and “ seek common ground while reserving differences, advancing with the times ”principle.