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四言诗发展到汉代,受经学的影响,在不同时期呈现出了不同的发展态势。汉代经学发展可以划分为三个大的阶段:初创期、昌盛期和衰落期。汉代四言诗的创作则可划分为两个层面:一个是主流作家的四言诗,一个是民间歌谣的四言诗。经学与文学的互动,使主流层面的四言诗与经学的关系经历了从疏离走向依附再回归疏离的发展过程。主流层面的四言诗整体上呈现出一面是经学化、一面是边缘化的双重发展特征。民间歌谣四言诗则相对比较疏离于经学,受它的影响较小。
Four-character poem developed to the Han Dynasty, influenced by the study, showing different development trends in different periods. The development of Confucian classics in Han Dynasty can be divided into three major stages: the initial stage, the prosperous period and the decline period. The creation of four-character poems in the Han Dynasty can be divided into two levels: one is a four-character poem by mainstream writers, and a four-character poem by folk songs. Through the interaction between learning and literature, the relationship between the four-character poem and the Confucian classics in the mainstream has undergone a process of development from alienation to attachment and return to alienation. On the whole, the four-character poem in the mainstream shows the dual development characteristic of being scholarized and one of being marginalized. Folk songs four-character poem is relatively alienated from the classics, by its less affected.