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进入新时期,随着社会文化转型,大众文化的逐渐繁荣,社会文化价值观念的多元化,宏大历史叙事逐渐淡出人们视线,个体化的叙事、关注个体生存状态的纪实性美学获得了新的生长空间。贾樟柯,第六代导演的新锐,以他个人化的视角、纪实性的风格呈现出社会个体的生存状态,他将镜头伸向社会底层人民,用一种冷静、客观的态度去感受每个平淡生命的喜悦和沉重,触摸他们在现实生活状态之上的精神压力。本文试图从追溯纪实性开始分析贾樟柯电影纪实性美学形成原因,并从贾樟柯影片的视听语言、主题内容和社会文化层面来分析贾樟柯电影纪实性的表现,进而比较深入的论述贾樟柯的纪实性美学。
In the new era, with the social and cultural transformation, the gradual prosperity of popular culture and the diversification of social and cultural values, the magnificent historical narrative gradually fades out of sight, the narrative of individuation, and the documentary aesthetics that pay attention to individual living conditions have gained new growth space. Jia Zhangke, the sixth generation director of cutting-edge, with his personal perspective, documentary style showing the existence of individual social conditions, he will be the lens of the people at the bottom of society, with a calm and objective attitude to feel every dull The joy and heavyness of life touch their spiritual stress on the real life. This article attempts to analyze the causes of Jia Zhangke’s documentary aesthetics from the point of retrospective documentary analysis and analyze the documentary performance of Jia Zhangke’s films from the perspective of audiovisual language, thematic content and socio-cultural aspects of Jia Zhangke’s films, and then discusses Jia Zhangke’s documentary aesthetics in more depth.