共同的时代给了成渝川剧共同的改革主题,历史积淀、文化氛围和地方性格的差异,又各自影响着两地鲜明的舞台个性的发展方向。《尘埃落定》是近年来四川省川剧院倾情打造的一部大戏,也是四川省继上个世纪八九十年代以来,探索川剧现代戏改革的新作。观其剧窥一斑见全豹,可知当下四川省川剧艺术的发展和改革。这里,谈一谈我眼中的川剧《尘埃落定》。在上个世纪八九十年代的川剧艺术探索改革过程中,四川人就显示出了戏剧观念的开放性和大气的探索热情。无论是1980年代初曾标榜以“美的形式”取胜的《芙蓉花仙》,还是1980年代中后期将“荒诞”和“魔幻”纳入传统视野的《潘金莲》,或是“印像”《红楼惊梦》;再就是现代与古代哲人对话的《田姐与庄周》,或是将“布莱希特 The common era gave Chengdu, Sichuan, Sichuan and Sichuan drama a common theme of reform, historical accumulation, cultural atmosphere and differences in local character, and each separately affected the distinctive direction of the development of stage personality in the two places. ”The Dust Settle“ is a drama set in Sichuan Opera House by Sichuan Opera House in recent years. It is also a new work in Sichuan Province to explore the reform of modern drama in Sichuan Opera since the 1980s and 1990s. See the drama all see the whole pant, we can see the current Sichuan Sichuan Opera art development and reform. Here, talk about the Sichuan opera ”dust settles.“ During the exploration and reform of Sichuan Opera during the 1980s and 1990s, Sichuan people showed the openness of the concept of drama and the enthusiasm for exploration in the atmosphere. Whether it is the ”Hibiscus Flower Fairy“ that won the ”form of beauty“ in the early 1980s, or ”Pan Jinlian“ that has ”absurdity“ and ”magic“ into the traditional field in the mid-to-late 1980s, or ”Impression “ ”Dream of Red Mansions“; then the modern and ancient philosopher dialogue ”Tian sister and Zhuang Zhou“, or ”Brecht