论文部分内容阅读
自古而今,白蛇故事在民间广为流传,不断丰富。清代,方成培本《雷峰塔》传奇继承和发展了梨园旧抄本的思想内涵,增加了“水斗”和“祭塔”等情节,增加了儒家“孝道”等内容。方剧总结性地完成了白娘子这个具有空前叛逆精神的抗争者形象,强化了人蛇之恋为礼法所不容的悲剧性。白娘子形象可以说是中国古典戏曲中女性抗争群体的代表,具有典型的悲剧精神。本文以中国古代十大悲剧之一的方本《雷峰塔》为对象,试析之。
Since ancient times, the story of the white snake is widely circulated among the people and constantly enriched. In the Qing Dynasty and Fang Chengpei, the Legend of Leifeng Pagoda inherited and developed the ideological content of the old copy of the Pear Orchard, adding “Pidgeon” and “sacrificial tower” episodes, and increased Confucianism, “filial piety” and other elements . Fang drama concludes with the image of the White Snake who is an unprecedented rebel spirit and reinforces the tragedy that human beings and snakes love can not be tolerated by the law. The image of White Snake can be said to be the representative of the women’s struggle groups in Chinese classical operas with a typical tragedy spirit. This article takes the square version of “Leifeng Pagoda”, one of the top ten tragedies in ancient China, as an object.