我个人可能对谢天赐的作品有不同的评价。但是,有一点可以确定的是他给我们21世纪大写意花鸟画的发展提出了问题,这是他的一个有意义的积极贡献。因为大写意花鸟画自吴昌硕、齐白石以来,经历了潘天寿的变革。在这样的变革当中:我们看到20世纪中后期以来大写意花鸟画融入了很多新的题材和内容。像广东的一些画家,画过去传统的梅兰竹菊之外的一些题材,这种现代题材融入到大写意花鸟画中,消解了文人表达梅兰竹菊那种基 I personally may have different opinions on the works of Xie Tianci. However, what is certain is that he poses some questions for us in the development of the freehand flower and bird painting in the 21st century. This is a meaningful and positive contribution to him. Because of the freehand flower and bird painting since Wu Changshuo, Qi Baishi, has undergone Pan Tianshou change. In such a transformation, we have seen many new themes and contents have been incorporated into the freehand bird and flower painting since the late 20th century. Some painters like Kwangtung draw some themes beyond the traditional Merzoumbang chrysanthemums. This modern theme is integrated into the freehand brushwork and bird’s eye paintings, eliminating the literati’s expression of Merlinchuju