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也许是“不识庐山真面目、只缘身在此山中”的原因,从胶州湾大桥上走过无数次,除了从海面上掠过,没再感觉到它有什么新鲜之处。直到有一天我从桥下钻了一次,又从百米高空瞅过一眼,才突然发现这座大桥很有些身段儿。粗壮的桥墩、曲线般的桥面、笔直的钢索,随着时空的变化时而柔美、时而阳刚。参差的线条与霞光遥相呼应,使原本土气的胶州湾顿时有了艺术范儿。
Perhaps it is because “I do not know the true nature of Lushan Mountain, I am only in this mountain,” the reason that I have walked through the Jiaozhou Bay Bridge numerous times, except passing from the sea, did not feel anything new about it. Until one day I got off the bridge once and once again glanced at a hundred meters above sea level, I suddenly found that the bridge was quite a figure. Sturdy piers, curved bridge deck, straight steel cable, with time and space changes, sometimes soft, sometimes masculine. Jagged lines echo with the glow, so that the original rustic Jiaozhou Bay suddenly have a range of art children.