论文部分内容阅读
悠悠中华,文明久远,在众多的文化遗产中,绘画艺术无疑是一颗光彩夺目、魅力永驻的明珠,中华民族的独特的文化及哲学观念无不贯穿在这门视觉艺术中,而山水则是中国画的一个重要的主题。山水画以自然景物为描绘对象,应该是一种客观的表现;但在中国山水画的水墨写意中,两度(平面)空间、多点透视及线的表现特点又不是客观真实的再现,这充分体现了中国山水画“以形媚道”和“天人合一”的两大特征。西方人一直对中国画家很早就能够较完整地表现出山水百思不解。山水画出现的前提包括非拟人的自然哲学,在古希腊的地中海地区,洛克利歇斯的《神圣的自然》就是这一哲学的最基本的文字表述。那时的古希腊地中海地区出
With a long history of Chinese culture and a long history of civilization, among many cultural heritages, the art of painting is undoubtedly a dazzling pearl with dazzling charm and permanent charm. The unique cultural and philosophical concepts of the Chinese nation are all permeated in this visual art while the landscape is An Important Theme of Chinese Painting. However, in the freehand brushwork of Chinese landscape painting, the characteristics of two-degree (plane) space, multi-point perspective and line are not an objective and realistic representation, which fully reflects the fact that landscapes are objects of natural scenery. The two major characteristics of Chinese landscape paintings are “form of Taoism” and “harmony between man and nature”. Westerners have long been able to show the Chinese painter a more complete landscape incomprehensible. The preconditions for the appearance of landscape paintings include the non-anthropomorphic natural philosophy. In the ancient Greek Mediterranean region, the “sacred nature” of Lockelius is the most basic expression of this philosophy. At that time the ancient Greek Mediterranean region out