杨的画面多为女性形象,在考究形式语言的同时,并不陷入极端的表现倾向。他的人物塑造用笔轻快,将物象融入到墨块和色块的构成、对比中,生动而从容,晕染和色彩肌理的层次对比处理十分微妙,从而使画面整体洋溢着浓重的东方情调和韵致,而中国传统的笔墨形式语言的独立性则被更多地 Most of Yang’s images are female images, which do not fall into the extreme expression tendency while being elegant in form language. His characters are characterized by light brushstroke, the integration of images into the composition and contrast of ink sticks and color patches, the vivid contrast, vividness, contrast of color contrast and contrasting colors, so that the whole picture is full of oriental flavor and Rhyme, while the traditional Chinese pen and ink language independence is more