戏曲演员既需要重视平日练功,也需要重视演出实践,学习和实践都是不可缺少的步骤。即使这样,演员到了舞台上面,由于对生活体验或对人物体会的深浅不同,以及掌握体现手段的高下,演同一出戏,往往演出效果也是不一样的。有这么一种情况:演员刚学会一出戏,或新排了一出戏,头两回演出质量不坏,能认真地把排练时的劲节掌握得差不离,有的或者能达到“形神俱备”;可是演了几回以后,劲儿和成色就差了,光剩下些形式上的东 The opera actors need not only pay attention to practice their work on weekdays, but also need to pay attention to performance practice, learning and practice are indispensable steps. Even so, when the actor reaches the stage, he often performs a different effect due to the difference between his / her experience of living and the depth of personal experience, as well as the mastery of means of expression. There is such a situation: the actor has just learned a play, or a new row of a play, the first two shows the quality is not bad, serious rehearsals can be mastered when the awkward, and some can achieve “shape God prepared ”; but after playing a few times later, Jin Er and fineness is poor, the light left some formal East