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公共空间中的装置艺术在设计与表现主题上的非艺术性。它不像传统艺术和其他现代架上艺术,往往要着力去追求艺术形式本体的完美与表现。装置艺术的创作动机也往往是作者对社会生活的反思与触动,它主要以直接介入生活、反刍人类自身生活经验和观念的姿态而存在。通过了解装置设计独特的魅力,所以想创作装置设计来表达自身的想法。通过对装置艺术的研究与设计,传递作者对于作品本身的设计理念。本次设计的作品《漠》,更多地表现了作者本身对艺术与生活、感性艺术与现实世界的感悟,这种表现最主要的是通过作品的图形“错位”的艺术形式来实现对生活意象的表达。有时候我们无法对所见的作品进行简单意义上的接受和理解,转而进入了对作品的主动参与和更多元的设想。可以说,在这个过程中,观看的人也会从对传统的架上艺术的静态而单向的理解,逐渐转向了亲身体验艺术、与艺术本身和现实社会之间的对话和交流。
The art of installation in public spaces is non-artistic in the theme of design and expression. Unlike traditional art and other modern-day art, it tends to focus on the perfection and performance of the art form itself. The motivation of installation art is also often the author’s reflection and touch on social life, which mainly exists in the attitude of directly intervening in life and ruminating on his own life experiences and concepts. By understanding the unique charm of device design, I wanted to create a device design to express my own ideas. Through the research and design of the installation art, the writer’s design concept of the work itself is transmitted. The design work Desert, more expression of the author’s own perception of art and life, sensual arts and the real world, the performance of the most important is through the work of the graphic “dislocation ” art form to achieve Expression of life image. Sometimes we can not simply accept and understand the works we have seen, and turn to the active participation in the works and more diverse ideas. It can be said that during this process, the watchers will also gradually shift from a static and one-way understanding of the traditional art on shelves to a dialogue between themselves and the art itself and the real society.