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这里有Joni Mitchell写的信,有趣的是,执笔的不完全是她,有Herbie Hancock,有Wayne Shorter,有DaveHolland,有Vinnle Colaiuta,有Lionel Loueke,也有Norah Jones、Tina Turner、Corinne Bailey Rae、Luciana Souza和Leonard Cohen。念头来自Herbie Hancock,这位爵士钢琴手自从加入Miles Davis的乐队后,深受巨人毕生不停挑战爵士可能性和共融性的影响,一直都是爵士界的“花花公子”。1973年的《Head Hunters》,他将Sly Stone式的Funk带入爵士世界,成为了史上最畅销的爵士唱片;1983年的《Future Shock》,他将Grandmaster Flash式的Hip Hop引进爵士范畴(又或者倒转),一首《Rockit》,由电台到电视台到舞池,烧遍整个地球,没有再讨论这是什么音乐,只知道是最流行的音乐。
There’s a letter from Joni Mitchell, interestingly not enough to write her, Herbie Hancock, Wayne Shorter, Dave Holland, Vinnle Colaiuta, Lionel Loueke, Norah Jones, Tina Turner, Corinne Bailey Rae, Luciana Souza and Leonard Cohen. The idea came from Herbie Hancock, the jazz pianist who has always been a “playboy” in the jazz world since joining Miles Davis’s band, being challenged by jazz and jazz throughout his life. Head Hunters of 1973, bringing Sly Stone-style Funk to Jazz and becoming the best-selling jazz record in history; Future Shock, 1983, introducing Grandmaster Flash hip-hop to the jazz category Or reverse), a rock “Rockit”, from radio to television to the dance floor, burning all over the earth, no discussion of what this music, only know is the most popular music.