上世纪90年代以来,当代水墨艺术处于最活跃的时期,传统水墨、现代水墨和当代实验水墨构成了当代水墨艺术多元的艺术景观。“水墨”成为中国当代艺术语言中运用最多的词汇,“笔墨”成为当代艺术中讨论最多的问题。水墨的身份问题,本土性和国际性问题,还有水墨的边缘性、当代性等诸多问题层出不穷、热闹非凡,本来就承载了上千年的审美积淀的水墨还要面对更多的当下问题,终于到了一个进退两难的尴尬境地。因此, Since the 90s of last century, contemporary ink art is in the most active period, and traditional ink painting, modern ink painting and contemporary experimental ink painting constitute the diverse artistic landscape of contemporary ink art. “Ink and Wash” has become the most used vocabulary in contemporary Chinese art language. “Ink and Wash” has become the most discussed issue in contemporary art. Ink identity, local and international issues, as well as ink marginal, contemporary and many other issues after another, bustling, had carried thousands of years of aesthetic accumulation of ink but also to face more immediate problems, Finally reached an embarrassing situation of dilemma. therefore,