在作品《dead for butterfly》被法国蓬皮杜现代艺术中心收藏之前,杨格的名字更多是被作为新媒体艺术工作者而得到认知,这是由于自从FALSH动画在中国出现以来,杨格就没有停止过创作和被关注。这也使得杨格早早脱离传统意义上的画家称谓,当然,他的先锋并不仅仅是除了画笔之外,他还用鼠标,但是由于此,他也被称为新媒体艺术工作者,这难免在艺术上显得年轻化、另类和自我。而他本来便是如此。如同他对自己,对于绘画的意义这样进行着总结:这里所呈现的是一些弥留在我记忆中的和对记忆无限延伸的幻想的世界,从架上到电脑,从传统的制作到奇妙的数字化的自由空间,从神秘的自然到喧嚣的都市,以及一个来自森林的孩子在单调的城市里对自然和超自然事物的向往和憧憬,这中间伴着无法消除的原始的情感和乡愁。而在于我,我将记录下来自生命的某一时刻的暗示和信号.不拘泥于任何方式.不管是反映了美、神圣、罪恶,或者痛苦。一切都将感谢上帝的恩赐。我将他们呈现出来,义无反顾。即便如此,我希望他们是理想,而不是沉重的梦…… Before the “dead for butterfly” was collected by the Pompidou Center in France, Young’s name was more recognized as a new media art worker since Young Flickster appeared in China since the FALSH animation Did not stop writing and being concerned about. It also makes Young out of the traditional name of the artist as early as possible, of course, his pioneer is not just a brush, but also with his mouse, but because of this, he is also known as the new media art workers, which is inevitable Art seems young, alternative and self. And he would have been so. As he summed up himself and the meaning of painting, there is a world of paintings that dwell in my memory and an illusion of indefinite extension of memory, from shelving to computers, from traditional production to fantastic digitalization Free space, from mysterious nature to the bustle of the city, and the yearning and longing for nature and supernatural things in a monotonous city by a child from the forest, accompanied by inexhaustible primitive feelings and nostalgia. And it is with me that I will record the hints and signals from one moment in my life, not in any way, whether it be beauty, holiness, sin, or pain. Everything will be thankful for God’s gift. I will show them, hesitate. Even so, I hope they are ideal, not a heavy dream ......