很多学画的人都面临着这样一个困境:写实功夫已经练得不错,或者自认为不错,不愿意再描摹客观对象,希望能多些主观创作,用当下时髦的词,就是再主观点,或者再表现点,但是在创作过程中又找不到依据,一变形就很难看,一表现就瞎编,实在不知道下一步该如何走下去。这是许多学画者的瓶颈,也是提高自己能力必经之路上的一道坎。 Many people who study painting face such a dilemma: the realistic kung fu has been practiced well, or they consider themselves good and unwilling to describe the objective object again. They hope that they can create more subjectively and use the fashionable words to refer to the subjective point or And then the performance of points, but in the creative process can not find a basis, a distortion is ugly, a manifestation of blind, really do not know how to proceed to the next step. This is the bottleneck of many learners and painters, and a hurdle on the road to improving their abilities.