小说作为作家自身审美经验的艺术传达,尽管就内容而言每部作品均不相同。但从表达方式上看,仍有一定的规律可探究,如何从整体上寻觅这种规律性呢?列维—斯特劳斯等结构主义大师教我们掌援了以下二难推理:“要么,叙事作品是一堆事件的唠叨。在这种情况下,我们谈论叙事作品就只能叙述人(作者)的技巧,才能或天才(一切偶然的神话形式)。要么,该叙事作品与其它叙事作品共同具有一个可资分析的结构,不管陈述这种结构的需要多大的耐心。因为最复杂的胡乱 Novels are conveyed as artistic conveyances of the writer’s own aesthetic experience, though each works is different in terms of content. However, from the perspective of expression, there is still some law to explore, how to look for this regularity on the whole? Levy-Strauss and other structuralism masters taught us to support the following dilemma: "Either, Narrative work is a nagging of a bunch of events, in which case we talk about narrative work as a narrative that can only describe a person’s (man’s) skills, talents, or genius (a mere mythical form), or that the narrative and other narratives Works together have a structure that can be analyzed, no matter how much patience the statement of the structure requires. Because of the most complex randomness