墨竹作为一种备受中古文人喜爱的绘画题材,其中所赋予人的品格精神等象征意味更是让竹超越了一般植物。这也正如苏轼所说:“宁可食无肉,不可居无竹。无肉使人瘦,无竹使人俗。”可见中古文人对于竹的审美已成为表现他们品格精神的重要载体之一而被世代承传着,然而其中元代李衎墨竹中的承传价值值得关注。李衎凭其一丝不苟、严谨细致的绘画创作态度和对竹子的透彻观察,以及作为一代文人的精神素养,创作出令人赞不绝口的系列墨竹佳作,并结合多年画竹经验与心灵感悟著出《竹谱详录》一书,详细介绍竹的各种画法以及经验总结,给后来的画家带来深远的影响,从中彰显出李衎于墨竹中的承传价值。 Bamboo ink as a favorite subject of ancient Chinese painting, which gives the character and spirit and other symbolic means that bamboo beyond the general plant. This is exactly what Su Shi said: “It is better to eat meat than meat, and can not live without bamboo.” No meat makes people thin and no bamboo makes people vulgar. "This shows that the aesthetics of bamboo by the ancient Chinese scholars has become an important carrier of their character and spirit One was handed down from generation to generation, however, the value of inheritance in Li Yuan’s bamboo in the Yuan Dynasty deserved attention. With his meticulous, rigorous and meticulous painting and writing attitude and thorough observation of bamboo, and as a generation of literati’s spiritual accomplishments, Li Qiao has created a series of excellent ink bamboo masterpieces, combined with years of experience and spiritual inspiration The book Bamboo Details, a book detailing a variety of bamboo painting method and experience summary, to bring the far-reaching influence of the painter, from which demonstrated the value of Li Zhi in the ink bamboo.