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艾丽丝·门罗在她的犯罪小说《多维的世界》和《荒野小站》中塑造的两位男性杀人犯虽性格迥异,命运相离,但都犯下滔天罪行,几乎没有承担道德和法律上应得的惩罚和严重的后果,成了真正的“无罪逃离者”。门罗此类犯罪小说中没有给人感官刺激的血腥恐怖场景和神秘的外在气息,而是以其独特的南安大略哥特主义写作手法将人性的复杂阴暗和恐怖腐朽渲染到了极致,同时也激起了读者对道德良心和善恶报应的思索,这正是门罗式哥特的异样表现。
The two male murderers shaped by Alice Monroe in her crime novel, The Multidimensional World and The Wilderness Stations, are quite different in character and fate, but all commit heinous crimes with little or no moral and legal commitment The due punishment and serious consequences have become genuine “innocent foes.” Instead of giving people a sensational bloody horror scene and a mysterious external atmosphere, Monroe’s criminal fiction, with its unique South Ontario gothic writing style, has rendered the complex gloom and horror of human nature to the extreme, Aroused the readers thinking of moral conscience and good and evil retribution, which is Monroe Gothic’s strange performance.