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20世纪的最后20年中,一种以简约的形式、纯净的空间和精巧的结构为特征的空间设计倾向在空间美学氛围中突围出来。这种被冠以“现代主义”之名的设计倾向,其主要的形式就是无装饰,利用最少的语言与元素来表现空间的美感。严格意义来说,这种空间设计并非仅存在与这个时代也并非是这个是代特有的产物。现代主义倾向的空间设计不仅反映出工业时代严谨、标准的逻辑特征,同时又表达出情感化的思想意味。从“冷峻”的具象到“温情”的抽象,从“简约”的形式到“复杂”的内涵,这背后隐藏着的联系折射出一种抽象性、观念性的因素,这些特点都增添了现代倾向的空间设计的特有魅力。现代倾向空间设计这种辩证的形式特征和艺术内涵引起了我强烈的兴趣,这大概是我选择这一论题的最初动机。
In the last two decades of the twentieth century, a space design tended to emerge in the aesthetic space of simplicity in the form of simplicity, purity and sophistication. This kind of design tendency, dubbed “Modernism”, is mainly decorated in the form of no decoration and uses the least amount of language and elements to express the beauty of space. Strictly speaking, this kind of spatial design does not exist only with this era nor is it the product of the special generation. The spatial design of modernist tendencies not only reflects the rigorous and standard logical features of the industrial age, but also expresses the emotional meanings of thoughts. The abstraction from “cold ” figurative to “warm love ” abstraction, from “simple ” form to “complex ” connotation, hidden behind the link reflects an abstract, conceptual Factors, these characteristics have added to the unique charm of modern design space. This dialectical formality and artistic connotation of modern tendency space design aroused my intense interest, which is probably the initial motivation for my choice of this topic.