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西南联大作家群的创作堪称20世纪中国存在主义文学创作的里程碑。他们在创作中将民族主义道德情怀和自由主义价值理念融洽一体。他们的作品通常称为现代主义创作,当现代主义将审美经验解释为价值的一种导向或一种认可时,自由主义的文化立场——现代主义的精神诉求——存在主义的哲学(美学)底蕴成为理解其创作的逻辑思路。由存在的孤独个体进行自由的选择正是他们对鲁迅以个体化启蒙叙事去追问生命存在的意义的传承和光大,存在主义的自由“理性”与中国现代知识人特立独行的“率性”因此奇妙地通融起来。家族性相似固然是他们的群体标识,个性化审美风格的荟萃更意味着中国存在主义文学已趋成熟状态。
The creation of a group of Southwest Associated Writers writers can be regarded as a milestone in the 20th century Chinese existentialist literary creation. In the process of their creation, they combine nationalistic moral feelings with liberal values. Their works are often referred to as modernist creations. When modernism interprets aesthetic experience as a guide or an endorsement of value, the liberal cultural position - the spiritual appeal of existentialism - existential philosophy (aesthetics) Inheritance becomes a logical way of understanding its creation. The freedom to choose from the existing loneliness individuals is precisely their inheritance and glory to Existentialism of Lu Xun’s individual enlightenment narration, the freedom of existentialism “rationality ” and the maverick of modern Chinese intellectuals Rage "so wonderful blend together. Although the similarity of the family is their group identity, the combination of personalized aesthetic style means that the existentialist literature in China has matured.