最使我震撼和无语的是那张夕阳下的大中里被拆迁的照片,废墟中两个矗立的石库门门框就如同两座墓碑,落寞庄严,它在警示我们如何来保护石库门,如何让我们的历史不再被中断。“我是一个给石库门拍遗像的摄影家……”当听到郑宪章以这样的话语表述他的上海摄影、他的石库门摄影时,开始颇有几分吃惊,然而细细品味,便可感受到其中渗透了多少故事,多少感慨,多少无奈,多少爱;而且,这些故事,感慨、无奈和爱,仿佛又不仅仅是 The most shocking and speechless I made was the picture of the house under the setting sun. The two shikumen frames in the ruins resemble two tombstones, solemn and solemn, which warn us how to protect Shikumen, How to make our history no longer be interrupted. “I was a photographer who took a portrait of Shikumen ...” When I heard Zheng Xianzhang’s portrayal of his photography in Shanghai and his photography at Shikumen, it was quite a bit surprised at first. Delicate taste, you can feel how many infiltration of the story, how much emotion, how much helpless, how much love; Moreover, these stories, emotion, helplessness and love, as if more than just