作为法兰克福学派重要美学家,本雅明创制了一系列美学概念诸如寓言、震惊、光环、复制、文人、室内(内在世界)、游荡者等等。他在其诗化风格写作中处处透露着自己的远见卓识,也显示了他对时代的完整体验与判断。这些充满活力的思想凸显了他作为那个时代最伟大心灵的特质。但他在与现实、时代及现代性的碰撞中隐喻了他自我的忧郁和寓言的本真。他的作品与文风充满了忧郁与寓言精神——甚至他本人就是一部不易阐释的寓言与悲剧。 As a major Frankfurt school aestheticist, Benjamin created a series of aesthetic concepts such as allegory, shock, aura, reproduction, literati, interior (inner world), wanderer and more. In his poetic style writing, he disclosed his foresight and omnipresence, and also showed his complete experience and judgment of the times. These energetic thoughts highlight his qualities as the greatest heart of that time. However, in the collision with reality, times and modernity, he metaphorically describes his self-melancholy and allegorical truth. His works and writing styles are full of melancholy and fables - even he himself is an allegory and tragedy that is not easy to explain.